2005 | DV | 15min | 4:3 | Experimental / Installation
The director uses three fixed shots for three scenes, which include things like a balcony, the sky, and a deck chair with cats hovering around. With gradually changing natural elements in the backdrop such as wind blowing, rainfall, or even the horrific sounds in the last scene, the film contrasts the inner peace of the observer.
This work is composed of three parts: ‘noon in room, ‘rainy noon’ and ‘stray noon’. It illustrates the fragments of the mind-scape in a natural and meditative manner, depicting the author’s changing mental state.